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Headshot Photographer Margot Splits 1 Ad Into 2 and Books 5 Office Teams

Published on Reviewed & Edited by Niaj A A Khan

Margot Lockhart Solo Headshot Photographer Columbus, Ohio, USA

Headshot photographer ad example doodle with one crossed-out ad saying affordable rates, arrows to two new ads for teams and for people who hate photos, and a 5 office teams badge

Most of these case studies come from emails my readers send me. With their permission, I share them with the names changed. I do this so that others can learn from what worked and what didn't. Have a story of your own? Share it with me.

  • 2 to 14inquiries a month
  • 68people photographed for 5 teams
  • $38 to $11cost per inquiry

The first team booking came from Teresa, who runs the front desk at a busy dental office in Columbus, Ohio.

She wrote one line. “Can you do all 14 of us on a Thursday morning?”

Margot read it twice. Nobody had asked her that in two years.

Her old ads read like any headshot photographer ad example you’d find online, polished and easy to forget.

Nothing about her camera, her lights or her prices changed after that. She simply stopped writing one ad for everyone.

Ten weeks later she had photographed 5 office teams, 68 people in all, plus 19 solo clients.

The problem

Margot works alone from a small studio above a bakery. Her photos are good and her reviews are warm.

Her ads, though, were invisible.

For most of a year she ran one ad on Instagram and Facebook.

It showed her favorite studio shot, a model with flawless skin on a grey backdrop.

The text said “Professional headshots at affordable rates. Elevate your personal brand. Book today!”

She spent $12 a day. In the six weeks before she changed anything, the ad brought 3 messages and 1 booking.

The few messages she did get told her a lot, once she read them again.

“How much for just one photo?”

Two of the three messages asked for a single photo for under $40.

The ad said “affordable,” so people expected cheap. Nobody saw a real price, so they guessed low and left when she replied with hers.

“Do you only do actors?”

The third message came from a man who needed a photo for a conference. He wasn’t sure the studio was for someone like him.

The model in the ad looked like a magazine page. He looked like a guy who sells insurance, and he said so.

Nobody asked about teams at all

That was the quiet part of the problem. Margot loved shooting groups, and she had the gear to do it on site.

Her ad never said so. A law firm two streets away hired another studio that spring, and she only found out from a friend.

The solution

Margot decided to stop talking to everyone at once. She wrote two ads, each one for a single buyer.

The first was for the person booking a whole team. The second was for the person who hates being photographed.

She kept the same daily budget in total. She just split it.

A headshot photographer ad example for teams

The team ad ran on LinkedIn, aimed at office managers, HR staff and practice managers within a short drive of her studio.

“Your team page, finally matching. A mini studio at your office, up to 20 people in a morning. $65 a person. Photos in 4 days.”

The photo showed a real team page from an earlier client, before and after. Mismatched selfies on one side, a tidy grid on the other.

LinkedIn clicks cost her more, so she gave this ad only $7 a day. One booking here was worth a dozen solo sessions.

An ad for people who hate the camera

The second ad stayed on Instagram and Facebook, with $5 a day.

“Hate how you look in photos? Most of my clients do, until about minute ten. 30 minutes, 5 edited photos, ready in 3 days. From $150.”

The model was gone. In her place was Dana, a nurse who had agreed in writing, shown with her old phone selfie next to her new headshot.

The process that worked

Margot didn’t change everything on day one. She ran each new ad next to her old one for two weeks and counted messages.

Then she changed one more piece, and counted again. Four pieces made the biggest difference.

The photo

Swapping the model for Dana’s before and after did more than anything else. Messages from the solo ad tripled in the first two weeks.

Several people said nearly the same thing. “I look like that selfie right now.”

The first line

For the solo ad she tested “Professional headshots in Columbus” against “Hate how you look in photos?”

The worry line won easily. It brought about four messages for every one the plain line brought, at the same cost.

The page behind the button

Her old button said “Book today” and opened a busy gallery. Now each ad had its own page.

The solo page put the three numbers headshot buyers hunt for at the top.

Price, minutes and delivery days, all in the first three lines. The team page had a short form with three questions.

How many people, which office, and which days work best. Teresa filled it in on a Tuesday night.

The tiny search ad

Later, Margot added a small Google ad for people already searching “headshots near me.”

She used radius targeting around her studio, about 15 miles, so she wasn’t paying for clicks from across the state.

It opened with her starting price and the words “photos in 3 days.” It brought 1 or 2 bookings a week for very little money.

MeasureBeforeAfter 10 weeks
Inquiries a month214
Cost per inquiry$38$11
Office teams booked05
Solo sessions booked119

What we learned from here

Any headshot photographer ad example worth copying starts with one buyer, not a whole crowd. Margot’s numbers show why.

The team ad changed her business the most. One message from Teresa meant 14 sessions in a single morning.

The solo ad kept her evenings full. People who dreaded the camera finally saw someone like themselves in the photo.

Here’s how each part of her ads did, side by side.

Part of the adGot the bookingGot the scroll
PhotoA real client, before and afterA model with perfect skin
First lineThe reader’s own worry“Professional headshots”
OfferMinutes, photos, days, price“Affordable rates”
AudienceOne buyer per adEveryone at once
ButtonA page made for that buyerA busy gallery

A few habits from Margot are easy to borrow.

She writes down the exact words people use in their messages. Those words become her next first lines.

She swaps the ad photo once a month, but only after asking the client for written permission first.

She counts bookings, not likes. Her old ad had more likes than both new ads put together, and almost no clients.

Margot still has her favorite model shot. It hangs in the studio now, where it looks lovely and costs nothing.

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